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Crisis Chaos II – Where Do We Begin?

One of the most important steps in successful crisis management is determining what type of crisis we are dealing with — and choosing the right strategy accordingly.

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Crisis Chaos I. - What causes a crisis?

When we are affected by the situation, it is easy to think that even a negative article or bad news justifies activating our crisis communication systems (if we have them, of course). However, it is worth knowing that, according to a 2023 study, every negative word in a headline increases the readership of a given article by an average of 2.3%. So, understandably, the press and readers will always be more interested in a headline that presents a situation in a negative light.

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FH25 - More than a client: WING

Our cooperation with Wallis was both about profession and development. We worked with the group's companies for 15 years. This partnership has been one of the most valuable areas of learning in our 25 years, it has been one of our most important lessons: as leaders and as organizations, we have learned a lot from it, and it is still part of our identity.

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25 years, 25 solutions

The power of true - 25 years of professional curiosity, diversity and enthusiasm. And a team that still works today with the same passion as at the beginning.

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Ourselves

Why Internal Communication Is the Hidden Engine of Business Performance - FleishmanHillard Budapest Insight

When employees feel they are the last to know, they start looking for the exit. In our latest study, 61 % of people thinking about changing jobs said poor internal communication was a leading factor. At the same time, only 23 % of the global workforce is engaged at work, while the productivity drag from disengagement costs a typical S&P 500 company up to US $355 million every year.

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Text effects – PR and literature

If the text is alive, it affects you, it captivates you. If it creates a world, like Árpád Göncz did in The Lord of the Rings. If you want to read it again, underline it, note down one of its masterfully striking sentences, like in Zoltán Pék's translation of Moon Palace (Paul Auster), for example. Or if it is so brilliant that it surpasses even the original, like Mici Mackó by Karinthy.

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